When Chris was a young boy, his was given a battery of psychological tests to determine
what he might be when he grew up. One confusing outcome of this was that Chris was
found to have “Mixed Brain Dominance”. When Chris later discovered computers, he
found that while he used a tablet with his left hand, he used a mouse with his right.
For example, Chris flexed his left brain to receive an MS degree in Theoretical and Applied Mechanics from the University of Illinois, in 1986. After this, he helped develop a fluid measurement technique called Particle Image Velocimetry, which has since become a fundamental way of measuring fluid flow.
But soon enough, Chris's right brain asserted itself. He discovered computer animation when he met Prof. Donna Cox at the National Center for Supercomputing Applications (NCSA). Chris then created his first short film, The Listener (1991), which won him notoriety on MTV's “Liquid Television” that year. Chris decided then that animation was the best way to entertain both sides of his brain equally.
In 1994, Chris joined Alias Inc. (now Autodesk Inc.), as an in-
In 2004 Chris released Ryan, with the National Film Board of Canada, Copperheart Entertainment and Seneca College in Toronto. Ryan quickly became one of the most celebrated animated short films of all time. It pioneered a style Chris calls “Psychorealism”, using surreal CG imagery to show the psychology of its characters. Ryan received the 2005 Academy Award for Best Animated Short Film, and over 60 other awards, including prizes at the Cannes Film Festival and Grand Prize at the 2004 Ottawa International Animation Festival.
In 2009, Chris released The Spine, again with the NFB, Copperheart and Seneca College. This film was nominated for a Canadian Genie award in 2010, and was one of “Canada's Top Ten Films” of the Toronto International Film Festival Group, in 2009.
Chris continues to be obsessed both with new techniques in CG, and new ways in telling stories with these techniques—as both hemispheres of his brain continue trying to outdo one another. He is an expert in Facial Animation and has developed a course called “Making Faces”, which he has taught at Dreamworks Animation, Seneca College, the University of Toronto and the Ecole George Melies in Paris.